Chalice
The Egyptians produced ceramic cups for consumption, but some, such as the Lotiform Chalice, far exceeded the mundane. This specific vessel, retained at The Met, displays magnificent painted scenes of plants, animals, and individuals, transforming a practical cup into a masterpiece symbolizing the world around us. According to Egyptologist Corcoran, it's "an amazing explosion of the natural world" rendered on a single cup. These were not merely cups for drinking—these were mirrors of life and beauty.
Standing Lamps
Egyptians used stone or clay oil lamps to illuminate their houses before electric light. They were basic bowls in some cases, but others were placed on ornate stands imitating temple columns. Such lamps were installed practically around houses to light up after nighttime. While these were small in purpose, their construction tended to talk about the broader architectural styles, illustrating just how entwined religion, art, and everyday life were, even in something as simple as lighting in the home.
Stone and wood headrests for sleep
Rather than soft pillows, Egyptians slept with headrests fashioned from stone or wood. These were designed to support the head and keep it from bugs and from getting too hot during sleep. The design consisted of a curved top portion bolted to a stem and base. Though they look uncomfortable from a modern perspective, these headrests had both functional and health-related functions and reflect the Egyptians' innovative view of comfort and sleeping in a bug-filled and hot environment.
Razors
Hygiene was a large aspect of Egyptian life. Some shaved their heads or sported short hair to keep from having lice. Razors, such as the one in a woman's tomb and now on exhibit at The Met, generally consisted of a metal blade with a wooden handle. Razors found in the tombs illustrate just how essential grooming and hygiene were, not only in the world of the living but also in the process of preparing for the afterlife.
Mirrors
In antiquity and in the Middle Ages, mirrors were more than mere cosmetic aids, they were luxury items that only the wealthy owned. Composed of metallic materials such as bronze or silver polished to a high shine, these mirrors provided a blurry reflection instead of a sharp picture. Their ornate backs, decorated by ivory carved work, spoke of love and courting. As medieval historian Eagles points out, "Imagine going through your entire life with only a hazy idea of what you look like"—a mirror of both status and mystery.
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